Already own a DPA 4099 or Neumann MCM and want to go wireless? SP-10 gives you everything you need 

If you play through a DPA 4099, Neumann MCM, Shure Beta 98, AMT LS, or AKG C519 M, you already know why sound engineers trust them. They sound great, they hold up gig after gig, and plenty of players end up buying their own.

The trouble starts when you want to go wireless. The systems made for these mics are built for sound crews: big receivers, fussy power requirements, controls with a real learning curve, and a price tag to match.

The EverSync SP-10 was built for the other side of the stage. It handles the power and signal each of these mics needs, so you keep the mic you already trust and lose the cable. The receiver sits at your feet like a pedal, with EQ, Reverb, and Boost right where you can reach them.

Every brand uses its own connector, so below you’ll find the exact adapter and setup for each mic. Pick yours and skip ahead.

DPA 4099: CW052 Microdot Adapter

The DPA 4099 ends in a Microdot connector. Connect the CW052 adapter to it, then plug the locking 3.5mm TRS end into the SP-10 transmitter. Done.

The transmitter powers the mic through the adapter, so there’s nothing else to set up. Mount the 4099 on your instrument the way you always do.

A quick word on placement, since it applies to every mic on this page: keep the transmitter where your body or instrument won’t block it, and leave a little slack in the cable so it isn’t tugging on the mic when you move. Get those two right and most dropouts never happen. If you want to know why, here’s how wireless actually works on stage.

Neumann MCM: AC 31 Adapter Cable

Neumann uses its own connector on the MCM, but it also makes a cable for just about every situation. The one you want is the AC 31. It ends in a 3.5mm TRS plug that goes straight into the SP-10 transmitter, and the transmitter takes care of power. Same placement rules as above.

Shure Beta 98: YPA MA407 Adapter

The Beta 98 comes with its cable already attached, ending in a TA4 connector. So all you need is a small TA4-to-TRS adapter between the mic and the transmitter. There are plenty on the market. The one we’ve tested and can vouch for is the YPA MA407.

AMT LS: CW053A Adapter Cable

The AMT LS uses a mini XLR (TA3) connector. Our CW053A cable runs from that mini XLR to a locking 3.5mm TRS plug for the SP-10 transmitter.

AKG C519 M: CW053B Adapter Cable

The AKG C519 M uses mini XLR (TA3) too, but it needs a different cable: the CW053B. Same idea, mini XLR on one end and a locking 3.5mm TRS plug on the other.

Same plug, different wiring. AMT and AKG both use mini XLR, but they wire the pins differently. That’s why there are two cables, and why you shouldn’t swap them. The wrong one will plug in just fine, then give you silence, or send bias voltage down the wrong pin and give you noise.

Going wireless doesn’t mean starting over

The best mic is the one you already know. If you’ve put money into a DPA, a Neumann, or any of the mics above, you shouldn’t have to choose between buying a full pro wireless rig and settling for a budget kit that doesn’t sound like you. The SP-10 lets you keep your mic and take back control of your sound.

Still shopping for a mic? Take a look at Cloudvocal’s SonoFlex. It’s built for acoustic instruments, works with a range of wireless systems, and plugs straight into the SP-10. See how it stacks up against the DPA 4099 →

Don’t see your mic here? Leave a comment or get in touch, and we’ll help you work out the right setup.

Once your mic is wireless, the rest of the signal chain is covered in our Saxophone Live Sound Guide.